Studio
We started in 2014 as a camera and an edit suite. We are still small on purpose: the people you meet on the first call are the people on set and in the grading room.
How we work
The person who writes the treatment operates the camera, and the editor is on set. Nothing gets lost between departments because there aren’t any.
After the first call you get a price that only changes if the brief does. Ada tells you before anything costs more.
We grade and mix for the screen most people will use, then for the big one. Every film is checked on a cheap phone outdoors.
Crew
Freelancers join us for bigger shoots. These six are here every day.
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Awards
Kit
We own all of it, so a shoot day never depends on a rental house.
| Cameras | 2× cinema cameras (6K), 1× compact body for gimbal and car mounts |
|---|---|
| Lenses | Vintage primes 25–85 mm, cinema zooms 18–35 and 50–135 |
| Water | Water housing for the compact body and a long lens |
| Light | 1.2 kW LEDs, RGB tubes, fabrics and flags |
| Suites | 2 edit suites, 1 calibrated grading room, 1 5.1 mix room |